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There are even microscopic traces of the flowers that would have been used in the burial-flowers that grew locally and were known to be used for burial.
In addition, traces of the spices used for Jewish burial have been discovered. The bloodstains on the Shroud are real human blood, not paint.
The Carbon-14 tests (it is argued) were therefore compromised.
He then proceeded to produce a Shroud-like image on a piece of linen using his theoretical process.
Instead it is seared on to the cloth with a technology that has yet to be explained.
Not only can scientists and historians not reproduce the image using medieval technologies, they can’t reproduce it with modern technology.
He concluded that the image itself was therefore, in effect, a photographic negative.
The question immediately arises, “If the Shroud is a medieval forgery how did they do that?